{"id":10802,"date":"2022-05-09T09:36:56","date_gmt":"2022-05-09T08:36:56","guid":{"rendered":"https:\/\/www.imaginarius.pt\/2022-edition\/enquadramento-2022\/"},"modified":"2022-05-15T15:53:31","modified_gmt":"2022-05-15T14:53:31","slug":"enquadramento-2022","status":"publish","type":"page","link":"https:\/\/www.imaginarius.pt\/en\/enquadramento-2022\/","title":{"rendered":"Framework"},"content":{"rendered":"<div class=\"wpb-content-wrapper\">[vc_row][vc_column width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;.vc_custom_1652607701243{margin-bottom: 80px !important;}&#8221; el_id=&#8221;enquadramento&#8221;]In 2011, when Santa Maria da Feira had the audacity to launch IMAGINARIUS \u2013 International Street Theatre Festival, few would have imagined how it would influence theatre and street arts in Portugal. At the time, it was even questioned what reasons would lead a medium-sized municipality, located in the north of Portugal, without traditions of cultural practices, to move forward with a project of such scope.<\/p>\n<p>At that time, as today, the Municipality of Santa Maria da Feira believed in the transforming power of art and culture, assuming cultural policy as a strategy for the sustainable development of its territory.<\/p>\n<p>As a result of this commitment from 2001 to the present day, IMAGINARIUS has consolidated itself, year after year, as a privileged stage for domestic and international artists and companies who choose the public space of Santa Maria da Feira to present their projects, many in specific creations and world premieres.<\/p>\n<p>Many of the best Portuguese Theatre and Street Arts companies and artists have passed through the streets and squares of Santa Maria da Feira.\u00a0 With their participation, they helped to solidify the IMAGINARIUS brand, leaving a very positive ballast in the cultural ecosystem of this region.<\/p>\n<p>In addition to the boldness of occupying the public space with cultural events, the IMAGINARIUS festival has always provided a space for young artists and creators, giving them complete freedom to present their projects; giving them freedom of creation, expression and reflection, in the light of contemporary artistic concepts and languages.<\/p>\n<p>In an intentional and thoughtful way, the 21st edition of IMAGINARIUS does not follow any thematic orientation, allowing the impulses of Freedom to act naturally in the creative process of each artist and company.<\/p>\n<p>The same is expected of the public, who can now claim back and strengthen their role as spectators\/actors by actively participating in the programming proposals that are offered to them.<\/p>\n<p>This edition will be, above all, a return to the original matrix of IMAGINARIUS, occupying the street and other public spaces, inviting artists and companies to present artistic proposals from different areas, which lead the public to become actors\/participants, regaining the joy of being on the street, but also the awakening to the reflection of current and pertinent themes around our planet and humanity.<\/p>\n<p>It is also intended that this IMAGINARIUS will recover the strength needed for Santa Maria da Feira to continue this incessant desire to create and transform, drawing from the greatest asset we have, Culture.[\/vc_column_text][vc_column_text el_id=&#8221;programa&#8221;]<strong>THE PROGRAMME IN A NUTSHELL<\/strong><\/p>\n<p>In a logic supported by the gradual return to normality, the 21st edition of IMAGINARIUS once again occupies the cultural territory of Santa Maria da Feira, meeting its audiences in the squares, streets, gardens and corners of the city, providing a new celebration of art and culture, through multiple proposals for theatre and street arts.<\/p>\n<p>In this edition the programme was not limited to a thematic orientation. In a post-pandemic time, when society yearns to breathe a new sense of freedom, it was deemed opportune to let, under the creative pretext, artists and creators develop and implement projects that lead different audiences, per se or collectively, to rediscover freedom.<\/p>\n<p>Thus, the entire programme was designed in a comprehensive way with the purpose of stimulating the participation and cultural enjoyment of the different audiences, so that they can freely interpret the artistic language and creative processes of the various artists present at the festival, decoding and following their destiny of freedom.<\/p>\n<p>IMAGINARIUS will therefore have several programming blocks, which will start in mid-May, in a pre-festival period, extending until the festival, to be held in Santa Maria da Feira from 26 to 29 May.<\/p>\n<p>In terms of the pre-festival period, in addition to cultural mediation activities that take place depending on the creations and co-productions, cultural decentralization, participation and training activities are scheduled, with the aim of bringing the different audiences closer to IMAGINARIUS.<\/p>\n<p>Of note is the presentation of the Li-Xo project, by Companhia Gr\u00e3o-a-Gr\u00e3o, which will take a street theatre play centred on contemporary environmental issues to the public of S\u00e3o Paio de Oleiros and Santa Maria da Feira. The municipality&#8217;s school community (1st Cycle) will join the festival to celebrate International Family Day, through an immersive dreamcatcher exhibition entitled O Sonho Come\u00e7a Aqui. In another domain, participation will be carried out through training and capacity building activities by IMAGINARIUS Participa, with its own and specific actions for the volunteers who will support the organization of the festival.<\/p>\n<p>The Main Programme integrates a number of proposals with different themes, all with relevant reflections on the current status quo. Thus, in the midst of the festival, we will witness the return of street theatre with an interventionist and visual force, with the presentation of Veles e Vents, by Xarxa Teatre [ES], who return to the festival to provoke a reflection centred on ocean pollution.<\/p>\n<p>In a truly unique and exclusive proposal, IMAGINARIUS will present a magie nouvelle production, Soir\u00e9e Magique, by Cie 14:20 [FR] which, under the artistic direction of Rapha\u00ebl Navarro, will bring emerging artists from this new trend in the world of magic to Portugal.<\/p>\n<p>In terms of domestic creations, we highlight the Portuguese premiere of the projects Eu F\u00eamea, by Teatro do Mar [PT], No Elbows on Table, by INAC [PT] and KINSKY \u2013 Roi des Rats, by Rui Paix\u00e3o\/Holy Clown [PT].<\/p>\n<p>Internationally, the highlights include the presentations by \u00c0 Ciegas, by Compa\u00f1ia Elelei [ES]; Get Ready, by TwoMuch Circus [ES]; and Oqda, from Etta Ermini Dance Theatre [UK]. In a more festive and comedic tone comes the proposal Hotel Paradiso, by the Lost in Translation Circus [UK] and Red Wine Cabaret, by the Sidral Brass Band, which promises to intoxicate the historic centre of Santa Maria da Feira with cheerful and contagious music.<\/p>\n<p>IMAGINARIUS Infantil brings together a wide range of proposals, which combine playful moments with a pedagogical and experimental side. The programme includes a circus and clown project, La Bella Tour [ES]; a theatre project, Cubo, by Elefante Elegante [ES]; a pedagogical project, Bicicleta ManiFESTA, by Diogo DeCalle [DE]; and a circus arts experimentation project, the Oficina de Artes Circenses, from SALTO \u2013 International Circus School [PT].<\/p>\n<p>In this edition, the Mais IMAGINARIUS competition features the presentation of 15 projects from 13 countries, crossing different artistic disciplines, from theatre to dance, from music to circus, from artistic installations to multidisciplinary projects. All projects will be evaluated by an independent jury, made up of Portuguese and international experts, to which the participatory voting of the festival&#8217;s public will be added. The most voted project will be invited to carry out an artistic residency at the Imaginarius Creation Centre to create a show to be presented as a world premiere in the 2023 edition.<\/p>\n<p>As for IMAGINARIUS Creations, the festival will host the world premiere of the projects selected within the scope of the Call for Support to Local Creation 2022 \u2013 Rumo ao Futuro, by Companhia Persona [PT] and 2037, by S\u00e9rgio Correia [PT] \u2013, of the project that won Mais IMAGINARIUS 2021, Soy Madera, by Elelei Company [IT\/ES]; and of the projects Venham enfim as mais altas alegrias, by F\u00e1bio Ara\u00fajo [PT], proposed by the Santa Maria da Feira Municipal Library, and Orquestra Criativa Encontra Synchronotopy, created by Orquestra Criativa\/Danielle Villa [PT\/IT].<\/p>\n<p>During the festival, IMAGINARIUS PRO promotes moments of meeting and sharing of experiences between professionals, as well as the launch of the book Pr\u00e1ticas Art\u00edsticas, Participa\u00e7\u00e3o e Pol\u00edtica, by Hugo Cruz.[\/vc_column_text][vc_column_text el_id=&#8221;festival&#8221;]\n<p><strong>THE FESTIVAL IN NUMBERS&#8230;<\/strong><\/p>\n<p>Over four days, the festival will take over the public space of the city, inviting the public to celebrate culture and art, through innovative, creative and contemporary proposals, an indelible mark of IMAGINARIUS.<\/p>\n<p>Between 26 and 29 May, Santa Maria da Feira will welcome 178 artists from 16 countries. There are 35 companies confirmed, which will present 37 artistic projects, of which we highlight 6 world premieres, 7 Portuguese premieres and 1 co-production.<\/p>\n<p>&nbsp;<\/p>\n<p>4 DAYS OF PROGRAMMING<\/p>\n<p>16 COUNTRIES<\/p>\n<p>GERMANY | ARGENTINA | AUSTRIA | BELGIUM | CHILE | SLOVENIA | SPAIN | USA | FRANCE | GREECE | ITALY | LITHUANIA | NETHERLANDS | PORTUGAL | UNITED KINGDOM | SWITZERLAND<\/p>\n<p>178 ARTISTS<\/p>\n<p>35 COMPANIES<\/p>\n<p>37 SHOWS \/ INTERVENTIONS<\/p>\n<p>3 INSTALLATIONS<\/p>\n<p>5 ARTISTIC RESIDENCES<\/p>\n<p>5 IMAGINARY CREATIONS<\/p>\n<p>1 CO-PRODUCTION<\/p>\n<p>10 MEDIATION ACTIONS<\/p>\n<p>2 WORKSHOPS<\/p>\n<p>1 INTERNATIONAL PREVIEW<\/p>\n<p>6 WORLD PREMIERES<\/p>\n<p>7 PORTUGUESE PREMIERES<\/p>\n<p>140 ARTISTIC PRESENTATIONS OR INTERVENTIONS<\/p>\n<p>118 HOURS OF PROGRAMMING CONTENT<\/p>\n[\/vc_column_text][vc_column_text css=&#8221;.vc_custom_1652607856783{margin-top: 80px !important;}&#8221; el_id=&#8221;pre-festival&#8221;]<strong>PRE-FESTIVAL<\/strong><\/p>\n<p>In a logic of decentralization and dissemination of IMAGINARIUS in the region, the pre-festival period proposes moments of anticipated programming that meet the public, contemplating artistic performance, community participation and training\/qualification.<\/p>\n<p>In terms of artistic performance, on 14 and 15 May, the street theatre project LI-XO, by Companhia Gr\u00e3o |a| Gr\u00e3o, which addresses issues concerning the environment and urbanity in cities.<\/p>\n<p>On 15 May, celebrating International Family Day, the preschool and 1st cycle educational community (educators, students and guardians) participate in the festival, promoting a collective artistic creation, in the historic centre of Santa Maria da Feira, which will be on display throughout the festival period.<\/p>\n<p>The dynamic cultural intermediation that has always characterized IMAGINARIUS continues with the promotion of a training\/qualification action aimed at the group of volunteers selected by the IMAGINARIUS Participa project, who will collaborate with the organization of the festival in the contact, reception and monitoring of artists and public.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>O SONHO COME\u00c7A AQUI<\/strong><\/p>\n<p><strong>LI-XO<\/strong><\/p>\n<p><strong>PARTICIPA<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>O SONHO COME\u00c7A AQUI<\/strong><\/p>\n<p>STUDENTS \/ FAMILIES [PT]\n<p>COLLECTIVE INSTALLATION<\/p>\n<p>The collective installation O SONHO COME\u00c7A AQUI is an IMAGINARIUS creation, which constitutes an immersive exhibition of dreamcatchers in the centre of the city.<\/p>\n<p>Also known as wind-chimes, dreamcatchers symbolize union, fraternization and creativity, believing that in each person lives a dream, a story, an imaginary, a myth.<\/p>\n<p>This installation is the result of the challenge launched to students\/families in the municipality, as a way of celebrating Family Day, as a tribute to all those who never stopped dreaming.<\/p>\n<p>15 MAY \u203a 01 JUNE [ PERMANENT ]\n<ol>\n<li>ROBERTO ALVES STREET<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<p><strong>LI-XO<\/strong><\/p>\n<p>GR\u00c3O | A | GR\u00c3O [PT]\n<p>STREET ARTS<\/p>\n<p>3 OR OLDER | 45&#8242;<\/p>\n<p>Two individuals, Jorge and the World. This is the premise. It all starts with the wandering of two GAR-BAGE gathering nomads, dominated by a permanent inconsistency and a vicious and monotonous circle that they call everyday life. Involved in a world subjugated by the scarcity of resources and a landscape coloured by garbage, life deteriorates, time does not go back and the days are increasingly absurd. They move through a miserable scrap of hope, longing for everything to go back to the way it was. After all, the only word that echoes in their heads is: repetition, repetition, REPETITION!<\/p>\n<p>14 MAY 4pm<\/p>\n<p>NOSSA SENHORA DA SA\u00daDE PARK &#8211; S\u00c3O PAIO DE OLEIROS<\/p>\n<p>15 MAY 4pm<\/p>\n<p>INTERIOR PARK ON JOU\u00c9-L\u00c8S-TOURS STREET \u2013 SANTA MARIA DA FEIRA<\/p>\n<p>&nbsp;<\/p>\n<p><strong>PARTICIPA<\/strong><\/p>\n<p>WELCOME AND TRAINING SESSION [ PT ]\n<p>DEDICATED TO VOLUNTEERS<\/p>\n<p>240&#8242;<\/p>\n<p>IMAGINARIUS Participa allows citizens of different generations to experience, directly and in the first person, all the tasks that involve the organization and realization of the festival.<\/p>\n<p>The group of selected volunteers is invited to participate in the performance of the most varied functions, from guidance, reception and public information, in addition to supporting production or complementary tasks.<\/p>\n<p>After a record number of 180 applications and the selection of about a hundred volunteers, the time has come for them to participate in a training action that will acquaint them with the entire festival programme and guidelines on the specifics of their functions.<\/p>\n<p>21 MAY 9:30am<\/p>\n<p>ANT\u00d3NIO LAMOSO CINE-THEATRE[\/vc_column_text][vc_column_text css=&#8221;.vc_custom_1652608017276{margin-top: 80px !important;}&#8221; el_id=&#8221;programacao&#8221;]<strong>MAIN PROGRAMME<\/strong><\/p>\n<p>The 21st edition of IMAGINARIUS marks the full return of street arts to the public space. Streets, gardens, squares, monuments and cultural facilities in Santa Maria da Feira are once again the privileged stage of a comprehensive and inclusive cultural offer, designed and structured to attract and surprise different audiences.<\/p>\n<p>In a thoughtful and intentional way, the programming of this edition does not assume a thematic guideline. After a pandemic, in which the world was practically shut down, the time has come to celebrate our reunion, to reopen the streets and public spaces to artists, giving them complete freedom of creation. It is time to once again challenge the public to their role of actors\/spectators, without which art and culture cannot survive.<\/p>\n<p>The entire programme of this edition was designed to praise art in its maximum expression of freedom, renewing the role of culture in the sublime mission of transforming the world.<\/p>\n<p>Following this transformative mission, the Main Programme presents a number of proposals based on interdisciplinarity and the creative freedom of artists and companies, with productions in the fields of street theatre, magie nouvelle, contemporary circus and new circus, but also urban dance, physical theatre and music.<\/p>\n<p>Recovering its original matrix with a full return to the street, where art has been a celebration for more than two decades, IMAGINARIUS reunites with the deans of genuine street theatre, Xarxa Teatre [ES], with their disturbing show Veles and Vents, who proposes a sharp reflection around the environmental theme, questioning the pollution of the seas and oceans and the way in which humanity is mortgaging its own future with the thoughtless atrocities it commits.<\/p>\n<p>From the reflection on environmental issues, we move on to the memories constituted in the places where we live and coexist, where we keep our memories and, from them, we build our myths. The company LIT \u2013 Lost in Translation Circus [UK] revisits these memories in its Hotel Paradiso project, using the daring skills of new circus, comedy, physical theatre and music, to tell unique stories of tenants of an old run-down hotel who, as they are faced with the eviction order and demolition of the building they call home, do everything to thwart an end that is near\u2026 that of their memories!<\/p>\n<p>The emancipatory power of art and its ability to transform the world view are also evident in the proposal of Teatro do Mar [PT], Eu F\u00eamea, which aims to provoke a reflection on the current role of women, transmuting between history and present time, between divine power, maternal function, submission and the emancipatory path to freedom.<\/p>\n<p>The project No Elbows On The Table, presented by INAC \u2013 Instituto Nacional das Artes do Circo [PT], uses the circus universe to stimulate thinking about the balance of social and human life. This balance is also reflected in the proposal by Rui Paix\u00e3o\/Holy Clown [PT], KINSKY \u2013 Roi des Rats, which starts from the way human beings drop their rules, bringing out their most animalistic side. Or also, in a way, the balance, or lack of it, that can exist in the daily and normal life of a couple, as offered by Twomuch Circus [ES], in their Get Ready, a physical theatre performance. A balance that is also necessary, as proposed by Elelei Company [ES\/IT] with \u00c0 Ciegas, to overcome ghosts, fears and apprehensions, when with blind eyes one has to advance into the unknown. And that certainly will also be pertinent in the proposal by Etta Ermini Dance Theatre [UK] to demonstrate how a group of unknowns, stuck in some border, is able to communicate, without resorting to language, relying just on the artistic expression of each one, as a universal multicultural language.<\/p>\n<p>In its original matrix, IMAGINARIUS distinguishes itself from other festivals mainly for the boldness of its proposals, taking risks in new contemporary artistic trends, as will be the case of magie nouvelle that, through Soir\u00e9e Magique, by Cie 14:20 [FR], presents, for its first time in Portugal, a show that reflects the new trends of international magic with the participation of several French artists, under the artistic direction of one of the pioneers of the magie nouvelle, Rapha\u00ebl Navarro.<\/p>\n<p>The contagious joy of IMAGINARIUS will spread through the streets and squares of Santa Maria da Feira to the sound of music by the Sidral Brass Band [ES], which proposes an energetic show, where music joins theatre and circus for a Red Wine Cabaret, transforming the public space into a stage for clownish, absurd and comic experiences, which promise to surprise with truly unforgettable moments.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>VELES E VENTS<\/strong><\/p>\n<p><strong>SOIR\u00c9E MAGIQUE<\/strong><\/p>\n<p><strong>HOTEL PARADISO<\/strong><\/p>\n<p><strong>EU F\u00caMEA<\/strong><\/p>\n<p><strong>NO ELBOWS ON THE TABLE<\/strong><\/p>\n<p><strong>KINSKY \u2013 ROI DE RATS<\/strong><\/p>\n<p><strong>\u00c0 CIEGAS<\/strong><\/p>\n<p><strong>GET READY<\/strong><\/p>\n<p><strong>OQDA<\/strong><\/p>\n<p><strong>RED WINE CABARET<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><strong>VELES E VENTS<\/strong><\/p>\n<p>XARXA TEATRE [ ES ]\n<p>STREET THEATRE \/ PYROTECHNIQUE<\/p>\n<p>6 OR OLDER | 50&#8242;<\/p>\n<p>Created to inaugurate the Channel Tunnel, Veles e Vents is inspired by the work of the Valencian poet Ausi\u00e0s March for a sharp view of the sea. An idyllic and simultaneously apocalyptic sea. A sea that sustains life for many peoples and, at the same time, a space for communication and convergence between civilizations and cultures. A sea that shows its revolt whenever we pollute it, transforming it into a nuclear cemetery, consumed by a permanent will-o&#8217;-the-wisp, derived from the oil catastrophes it has suffered.<\/p>\n<p>Veles e Vents invites the public to reflect on the future of humanity on planet Earth, alerting to the environmental problems caused by the pollution of seas and oceans. Through the use of moving elements and pyrotechnics, the public will embark on a journey into their own consciousness, aboard a ship that, in a few seconds, can go from an idyllic sailboat to an oil polluter.<\/p>\n<p>Veles e Vents is a true street theatre production, which captures the essence of current environmental issues, to rise up in defence of the planet and the oceans, leaving the pertinence of reflection and action on the audience&#8217;s side. An environmental message that is more present than ever, just like the scenic proposal.<\/p>\n<p>27 \u00b7 28 MAY 11:30pm MILL HOUSE<\/p>\n<p>&nbsp;<\/p>\n<p><strong>SOIR\u00c9E MAGICQUE<\/strong><\/p>\n<p>CIA 14:20 \/ RAPHA\u00cbL NAVARRO [FR]\n<p>MAGIE NOUVELLE<\/p>\n<p>3 OR OLDER | 50&#8242; | PORTUGUESE PREMIERE<\/p>\n<p>In magie nouvelle, which is an artistic movement in its own right, marked by diversity, illusion and novelty, everything is magic: Chinese shadows, card games, juggling, levitation and illusionism.<\/p>\n<p>In this Soir\u00e9e Magique, Cie 14:20, under the artistic direction of Rapha\u00ebl Navarro, brings together the best French magie nouvelle artists, who are as eclectic as they are talented and share gift of capturing the viewer&#8217;s attention, surprising them on a unique journey through three-dimensional universes where references oscillate, provoking enchantment and emotion in a heterogeneous audience, intoxicated by the live music.<\/p>\n<p>27 \u00b7 28 MAY 10pm<\/p>\n<p>ANT\u00d3NIO LAMOSO CINE-THEATRE<\/p>\n<p>&nbsp;<\/p>\n<p><strong>HOTEL PARADISO<\/strong><\/p>\n<p>LOST IN TRANSLATION [UK]\n<p>CONTEMPORARY CIRCUS | PHYSICAL THEATRE<\/p>\n<p>ALL AGES | 50&#8242; | PORTUGUESE PREMIERE<\/p>\n<p>&nbsp;<\/p>\n<p>Hotel Paradiso is an old hotel doomed to close. It is run-down, but people live in it, whose life stories fill the myths and memories of that space. A banker, who wants to have the hotel to build a new venture, does everything he can to evict its inhabitants.<\/p>\n<p>United to ward off the idea of \u200b\u200bleaving the hotel, the old guests relive together moments of joy and sadness they experienced there. With the strong support of the owner of Hotel Paradiso, they fight against the banker&#8217;s cowardice, in a series of fun and challenging adventures.<\/p>\n<p>Acrobats, clowns and jugglers tell a story of union and struggle to save the last space of memories, using a colourful mix of daring circus skills, physical comedy and theatre, where an energetic musical score, composed by renowned English multi-instrumentalist Roger Eno.<\/p>\n<p>27 MAY 5pm | 9:30pm<\/p>\n<p>28 MAY 5:30pm | 9:30pm<\/p>\n<p>MILL HOUSE<\/p>\n<p>&nbsp;<\/p>\n<p><strong>EU F\u00caMEA<\/strong><\/p>\n<p>TEATRO DO MAR [PT]\n<p>MULTIDISCIPLINARY PERFORMANCE | DANCE | PHYSICAL THEATRE<\/p>\n<p>16 OR OLDER [ CONTAINS PARTIAL NUDITY ] 25&#8242; | PORTUGUESE PREMIERE<\/p>\n<p>Eu F\u00eamea is a short solo for an actress. A physical performance that takes place within a structure alluding to a Peep Show. The actress, enclosed within the circular stage, has no physical or visual contact with the public, who watch this particularly intimate, poetic show in individual booths equipped with headphones.<\/p>\n<p>With an iconographic-inspired narrative and a contemporary language based on the narratives of the body, Eu F\u00eamea reflects on the invisibility of women over time, and the historical and cultural, physical and spiritual heritage that inhabits the female being today. What remains of that past and what resists and transforms itself? What subject or subjectivity exists outside of History and language, culture and power relations?<\/p>\n<p>In Eu Femea, a body is transmuted into other bodies. From the collective to the one, from the veiled to the uncovered, in a trajectory that marks, among others, the divine, the maternal, the animal and the outcast, submission and rebellion, between Eve and Lilith, Mary and Mary Magdalene, a woman in search of balance and affirmation is revealed, gradually freeing herself from the different layers with which, throughout history, we have covered her up, made her invisible and subjected her.<\/p>\n<p>What is it to be a woman today?<\/p>\n<p>What is the feminine and what body defines it?<\/p>\n<p>Since emancipation, what freedom?<\/p>\n<p>26 \u00b7 27 \u00b7 28 MAY 9:20pm | 10pm | 10:40pm | 11:20pm<\/p>\n<p>MUSIC ACADEMY EXTERIOR | LIMITED TO 20 PEOPLE | SHOW REQUIRING REGISTRATION [ www.imaginarius.pt ]\n<p>&nbsp;<\/p>\n<p><strong>NO ELBOWS ON THE TABLE<\/strong><\/p>\n<p>INAC \u2013 INSTITUTO NACIONAL DE ARTES DO CIRCO[ PT ]\n<p>CONTEMPORARY CIRCUS<\/p>\n<p>3 OR OLDER | 45&#8242; | PORTUGUESE PREMIERE<\/p>\n<p>No Elbows On The Table is a contemporary circus proposal that takes you to an aquarium of crossed lives in an airtight space. A reflection of the absence of involvement in the community or with the outside world. An organism that lives in an attempt to balance the flaw in the human condition. Changes in directions, intentions and wills that result in an oscillating state of social behaviour.<\/p>\n<p>No Elbows On The Table encourages us to understand the paradox of the inner balance of each human being through the circus universe. From noise to silence, juggling, the cyr wheel, the trapeze, the vertical rope and balance show us how it is possible to condition the daily life of every human being.<\/p>\n<p>No Elbows On The Table is a production of INAC \u2013 Instituto Nacional de Artes do Circo, which integrates students and young circus artists in a multidisciplinary approach, which seeks to affirm new aesthetics of the circus arts and the diffusion of contemporary circus in Portugal.<\/p>\n<p>26 MAY 10:30pm<\/p>\n<p>27 \u00b7 28 MAY 4pm | 10pm<\/p>\n<p>29 MAY 11:15am<\/p>\n<p>GASPAR MOREIRA SQUARE<\/p>\n<p>&nbsp;<\/p>\n<p><strong>KINSKY \u2013 ROI DE RATS<\/strong><\/p>\n<p>RUI PAIX\u00c3O | HOLY CLOWNS [PT]\n<p>CLOWN<\/p>\n<p>6 OR OLDER | 50&#8242; | INTERNATIONAL PREVIEW<\/p>\n<p>\u201cMy house has no address. It is impossible to find unless you are a rat. It is in the underworld, a place of my rat mind, my human mind, your mind.\u201d<\/p>\n<p>Roger Ballen<\/p>\n<p>When the fear of having to renounce one\u2019s private and intimate sphere gives way to the need to show oneself without shame: KINSKI is the new show by the Holy Clowns project and is centred on a vampire denture seller who, in an act of manifestation, turns into a mouse. The extreme transfiguration of Rui Paix\u00e3o&#8217;s body feeds chaos, disorder and an unusual absurdity, through improvisation and interaction with the public, with artistic interventions that mix visual arts, physical theatre and the clown.<\/p>\n<p>27 \u00b7 28 MAY 5:30pm<\/p>\n<p>IMAGINARIUS CREATION CENTER | SHOW REQUIRING REGISTRATION \u00a0[www.imaginarius.pt ]\n<p>&nbsp;<\/p>\n<p><strong>\u00c0 CIEGAS<\/strong><\/p>\n<p>ELELEI COMPANY [ IT\/ES ]\n<p>DANCE<\/p>\n<p>M\/3 | 30&#8242; | FESTIVAL REVIVAL<\/p>\n<p>\u00c0 Ciegas seeks to awaken in its public that surprise effect you experience when caught by someone who covers your eyes and asks you to guess who they are.<\/p>\n<p>It&#8217;s a simple game, which kids or someone close to you like to play, launching the mystery of restlessness, which leads to a question \u2013 What if this suddenly turns into something else?<\/p>\n<p>An external event makes a person&#8217;s emotional state change.<\/p>\n<p>Something covers our eyes, depriving us of seeing what is beyond.<\/p>\n<p>The audience witnesses what the actress does not see. The nature of the \u201cunknown\u201d generates fear and is presented by the Elelei Company as a threat.<\/p>\n<p>27 \u00b7 28 MAY 5pm<\/p>\n<p>EXTERIOR OF THE LOIOS CONVENT MUSEUM<\/p>\n<p>&nbsp;<\/p>\n<p><strong>GET READY<\/strong><\/p>\n<p>TWOMUCH CIRCUS [ES\/AR]\n<p>NEW CIRCUS<\/p>\n<p>3 OR OLDER | 30&#8242;<\/p>\n<p>Get Ready is an absurd mix of juggling, new circus and comedy that seeks to approach society through the webs of relationships, social conventions and the power of love.<\/p>\n<p>Focusing on the daily ritual of breakfast, the play explores what happens when a routine is distorted into an incomprehensible group of meaningless actions.<\/p>\n<p>An affectionate and eccentric couple breaks their banal everyday dynamics, taking them apart and putting them back together again, to show that normal life can also be captivating.<\/p>\n<p>There are unique moments in a couple&#8217;s life when tablecloths slide, cereals fly, mugs roll and tea sometimes spills&#8230;<\/p>\n<p>27 MAY 4:30pm<\/p>\n<p>MAY 28 4:45pm<\/p>\n<p>MILL HOUSE<\/p>\n<p>28 MAY 3pm<\/p>\n<p>GASPAR MOREIRA SQUARE<\/p>\n<p>&nbsp;<\/p>\n<p><strong>OQDA<\/strong><\/p>\n<p>ETTA ERMINI DANCE THEATRE [UK]\n<p>MULTIDISCIPLINARY PERFORMANCE<\/p>\n<p>ALL AGES | 25&#8242; | PORTUGUESE PREMIERE<\/p>\n<p>Oqda is Etta Ermini Dance Theatre\u2019s new proposal for the public space, which combines a balancing act with traditional Moroccan acrobatics and urban dance, in an interdisciplinary project of contemporary circus and urban dance that interprets, in a touching way, the current issues of multiculturalism.<\/p>\n<p>Three people from different countries are stranded at a border, unable to communicate with each other, as they do not speak the same language. Using humour, each one narrates their story, using art as a form of communication.<\/p>\n<p>Inspired by the experiences of casual encounters and improvised conversations, Oqda, which in Arabic means knot, gives meaning to the natural creativity of each human being, leading the characters to get to know each other, discovering their differences and their points of convergence. A project that extols the concept of multiculturalism among the characters, who find in their artistic skills the best way to communicate.<\/p>\n<p>Oqda is, above all, a metaphor for peace, overcoming xenophobic prejudices and accepting the \u201cother\u201d in a multicultural and diverse society.<\/p>\n<p>27 \u00b7 28 MAY 5pm<\/p>\n<p>GASPAR MOREIRA SQUARE<\/p>\n<p>27 \u00b7 28 MAY 7pm LOIOS CONVENT MUSEUM<\/p>\n<p>&nbsp;<\/p>\n<p><strong>RED WINE CABARET<\/strong><\/p>\n<p>SIDRAL BRASS BAND [ ES ]\n<p>MUSIC<\/p>\n<p>M\/3 | 30&#8242; TRAVELING + 40&#8242; TRAVELING + PERFORMANCE | FESTIVAL REPLACEMENT<\/p>\n<p>Red Wine Cabaret brings the scent of grapes and wine, in a biological process that is at the heart of a band of ten musicians and a showman, in the crazy and festive atmosphere of a cabaret.<\/p>\n<p>The madness will intoxicate the public with hints of joy. The sound of the brass, energetic and contagious, will provoke a renewed party, transporting the audience to the cinematographic atmosphere of a cabaret.<\/p>\n<p>Music, theatre and circus come together to infect the public with increased doses of joy.<\/p>\n<p>The street is once again the place to party, turning into a cabaret and the stage for clownish and absurd experiences that awaken feelings which will remain in memory.<\/p>\n<p>27 MAY 7:30pm<\/p>\n<p>28 MAY 00:20 | 7:30pm<\/p>\n<p>29 MAY 00:20<\/p>\n<p>ITINERANT [ MISERIC\u00d3RDIA CHURCH \u203a GASPAR MOREIRA SQUARE \u203a MUNICIPAL MARKET \u203a MILL HOUSE ] [ PARISH CHURCH \u203a DIREITA STREET \u203a REPUBLICA SQUARE \u203aGASPAR MOREIRA SQUARE ] | GASPAR MOREIRA SQUARE[\/vc_column_text][vc_column_text css=&#8221;.vc_custom_1652608080821{margin-top: 80px !important;}&#8221; el_id=&#8221;infantil&#8221;]<strong>IMAGINARIUS INFANTIL <\/strong><\/p>\n<p>A section of the Festival dedicated to kids and their families, IMAGINARIUS Infantil continues to provide playful, educational and multidisciplinary arts experimentation in a privileged public space \u2013 Rossio.<\/p>\n<p>In its full return to our streets, the children&#8217;s programme promotes performative and creative paths with three Portuguese premieres, a visual arts project adapted for Imaginarius and a circus arts experimentation workshop.<\/p>\n<p>La Bella Tour presents a show of the same name, which seeks the fundamentals of the clown to achieve its characters&#8217; mission: to make the audience laugh.<\/p>\n<p>Elegant Elephant invites the audience to enter a dream world where they have to make a choice: leave or stay? The centrepiece is a cube that allows you to enclose something within itself, but also to open up infinite possibilities.<\/p>\n<p>The Todozancos company transports us to the absurd, dystopian and surrealist world of Kafka&#8217;s Metamorphosis, in which the characters undergo a transformative process, in a circulating route through the streets of the city centre.<\/p>\n<p>Diogo deCalle challenges the public to \u201cpedal\u201d through the public space, transporting a serigraphy workshop through the streets and with it the civic and cultural manifestation of a bicycle that manifests itself.<\/p>\n<p>Referring to the circus tradition associated with magic and fantasy, Imaginarius Infantil also proposes to lead the public to a circus bubble, which praises the poetry and technique of the Circus. SALTO \u2013 International Circus School brings short presentations to encourage the public to experiment.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>LA BELLA TOUR<\/strong><\/p>\n<p><strong>METAMORPHOSI<\/strong><\/p>\n<p><strong>CUBO<\/strong><\/p>\n<p><strong>BICICLETA MANIFESTA<\/strong><\/p>\n<p><strong>CIRCUS ARTS WORKSHOP<\/strong><\/p>\n<p><strong>SOBRE(A)SALTO<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><strong>LA BELLA TOUR<\/strong><\/p>\n<p>LA BELLA TOUR [ES]\n<p>CIRCUS<\/p>\n<p>3 OR OLDER | 45&#8242; | PORTUGUESE PREMIERE<\/p>\n<p>When the circus was in full swing and the audience cheered the skill of the acrobats and the courage of the tamers, night after night, the clowns were the soul of the show and made children and adults laugh.<\/p>\n<p>Now there are no jugglers, no acrobats, no magic, no masters of ceremonies. There are only these two clowns and their circus heritage.<\/p>\n<p>Day after day, city after city, both try hard to maintain the family tradition. Sometimes with success, sometimes with catastrophic results.<\/p>\n<p>However, they never give up on achieving their goal: making the audience laugh!<\/p>\n<p>27 MAY 2pm<\/p>\n<p>28 MAY 15:30<\/p>\n<p>ROSSIO<\/p>\n<p>&nbsp;<\/p>\n<p><strong>METAMORPHOSI<\/strong><\/p>\n<p>COMPA\u00d1IA TODOZANCOS [ ES ]\n<p>MULTIDISCIPLINARY PERFORMANCE<\/p>\n<p>3 OR OLDER | 40&#8242; TRAVELLING + 20&#8242; PERFORMANCE<\/p>\n<p>A dystopian, perhaps not so distant, world where characters go through different stages of transformation between human, insect and machine.<\/p>\n<p>This metamorphosis is triggered suddenly, generating confusion and contradictions in the characters to avoid a process that seems to have no return.<\/p>\n<p>On their journey, they discover these changes and their environment, feeding back with the desire to try to recover feelings, sensations and human relationships that regain vital importance and meaning.<\/p>\n<p>Will it be too late?<\/p>\n<p>27 MAY 5:20pm<\/p>\n<p>TRAVELLING [ MUNICIPAL MARKET \u203a GASPAR MOREIRA SQUARE \u203a REP\u00daBLICA SQUARE \u203a DR. ROBERTO ALVES STREET \u203a ROSSIO ]\n<p>6pm ROSSIO<\/p>\n<p>28 MAY 2pm<\/p>\n<p>TRAVELLING [ CTT \u203a MUNICIPAL MARKET \u203a MILL HOUSE \u203a ROSSIO ]\n<p>2:40pm ROSSIO<\/p>\n<p>&nbsp;<\/p>\n<p><strong>CUBO<\/strong><\/p>\n<p>ELEFANTE ELEGANTE [ ES\/PT ]\n<p>THEATRE<\/p>\n<p>4 OR OLDER | 45&#8242; | PORTUGUESE PREMIERE<\/p>\n<p>&#8220;It is urgent to live with purposes, as only dreamers live!&#8221;<\/p>\n<p>She is curious and determined. He is cute and funny. Eager to discover the world, she is ready to be the captain of the ship that will guide them on their new adventures. He, comfortable in the safety of his cube, reluctant to abandon his habits and exchange them for unknown horizons. They play, sing, laugh, argue and shout.<\/p>\n<p>One day, curiosity invades the cube and they both decide to go further, discover the whole world. They had always agreed, but when the time comes to choose their destiny, they can\u2019t reach a consensus.<\/p>\n<p>She wants to follow a path in search of questions. He wants to look for answers in the opposite direction.<\/p>\n<p>What will be the solution? North, South, East or West? Together or apart?<\/p>\n<p>28 MAY 6:15pm<\/p>\n<p>29 MAY 10am | NOON<\/p>\n<p>ROSSIO<\/p>\n<p>&nbsp;<\/p>\n<p><strong>BICICLETA MANIFESTA \u2013 UMA EXPERI\u00caNCIA DE SERIGRAFIA ARTESANAL<\/strong><\/p>\n<p>DIOGO DECALLE [PT]\n<p>TRAVELLING SERIGRAPHY WORKSHOP<\/p>\n<p>5 OR OLDER | 120&#8242;<\/p>\n<p>A serigraphy workshop carried on a bicycle serves as a motto for collective creation and printing.<\/p>\n<p>On each poster a manifesto. All together, one VOICE!<\/p>\n<p>The public space turns into a space for artistic creation and sharing among all participants.<\/p>\n<p>27 \u00b7 28 MAY 2pm | 5pm<\/p>\n<p>29 MAY 10am<\/p>\n<p>ROSSIO<\/p>\n<p>&nbsp;<\/p>\n<p><strong>CIRCUS ARTS WORKSHOP<\/strong><\/p>\n<p>JUMP \u2013 INTERNATIONAL CIRCUS SCHOOL [PT]\n<p>CIRCUS<\/p>\n<p>5 AND OLDER | 300&#8242;<\/p>\n<p>A workshop for children aged 5 to 15, where participants have the opportunity to experience various circus arts, with a focus on aerial, fabric, lyre and trapeze.<\/p>\n<p>27 MAY 2pm \u203a 3:20pm | 3:50pm \u203a 7pm<\/p>\n<p>28 MAY 2pm \u203a 2:20pm | 3:30pm \u203a 7pm<\/p>\n<p>29 MAY 10am \u203a 10:40am | 12:10 \u203a 1pm<\/p>\n<p>ROSSIO<\/p>\n<p>&nbsp;<\/p>\n<p><strong>SOBRE(A)SALTO<\/strong><\/p>\n<p>JUMP \u2013 INTERNATIONAL CIRCUS SCHOOL [PT]\n<p>CIRCUS<\/p>\n<p>5 OR OLDER | 10&#8242;<\/p>\n<p>Students from Salto International Circus School present different aerial techniques of the circus arts to the children who participate in the workshops.<\/p>\n<p>27 MAY 3:30pm<\/p>\n<p>28 MAY 2:20pm | 3:10pm<\/p>\n<p>29 MAY 10:50am | 11:50am<\/p>\n<p>ROSSIO[\/vc_column_text][vc_column_text css=&#8221;.vc_custom_1652608279325{margin-top: 80px !important;}&#8221; el_id=&#8221;criacoes&#8221;]<strong>IMAGINARIUS CREATIONS<\/strong><\/p>\n<p>In 2022 Imaginarius resumes its commitment to supporting creation for the public space, focused on a changing contemporary world. Coincidentally, the creations start from a notion of time to reflect on pressing issues, such as the right to privacy, the meaning of gender, the importance of memory, the right to be forgotten and the celebration of reference figures.<\/p>\n<p>In this edition, the festival presents 5 new creations: two resulting from the Call for Support to Local Creation (2037, by S\u00e9rgio Correia, and Rumo ao Futuro, by Companhia Persona); one resulting from the Mais Imaginarius competition and winner of the 2021 edition (SOY MADERA, by Elelei Company); the annual project of the Municipal Library (Venham enfim as altas alegrias , by F\u00e1bio Ara\u00fajo); and the Orquestra Criativa annual project (Orquestra Criativa Encontra Synchronotopy, with Danielle Villa).<\/p>\n<p>CACL&#8217;s creations are situated between the memory of a time and a future time under construction. Rumo ao Futuro is, in fact, a story about the past, a reflection on aging, the associated memory loss and the importance of relating to one\u2019s references.<\/p>\n<p>Marking the centenary of Jos\u00e9 Saramago, the multidisciplinary performance and installation Venham enfim as altas alegrias reminds us of the path of the Nobel Prize in Literature, through the free and plastic interpretation of his work.<\/p>\n<p>Using the manipulation of photographs of Santa Maria da Feira, Orquestra Criativa and Danielle Villa remind us of the memory of the local heritage.<\/p>\n<p>SOY MADERA, in turn, involves us in a moment of repetition, where, both in beauty and in hardship, we look for the meaning of female identity in the constitution of the present self.<\/p>\n<p>Finally, 2037, by exposing us to fragments of what a future society could be, makes us question the dangers of this transitory present we live in.<\/p>\n<p>The creations also reveal a strong visual influence, opting for the inclusion of multimedia resources, whether by the presence of videomapping, simple projections or real-time photo manipulation.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>SOY MADERA<\/strong><\/p>\n<p><strong>RUMO AO FUTURO<\/strong><\/p>\n<p><strong>2037<\/strong><\/p>\n<p><strong>ORQUESTRA CRIATIVA ENCONTRA SYNCHRONOTOPY<\/strong><\/p>\n<p><strong>VENHAM ENFIM AS ALTAS ALEGRIAS<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>SOY MADERA<\/strong><\/p>\n<p>ELELEI COMPANY [ IT\/ES ]\n<p>CONTEMPORARY CIRCUS<\/p>\n<p>6 OR OLDER | 35&#8242; | WORLD PREMIERE | PERFORMANCE WITH AUDIO DESCRIPTION &#8211; AD<\/p>\n<p>&nbsp;<\/p>\n<p>When someone arrives at a new place with the hope of understanding the idea of \u200b\u200bstopping and suddenly has to deal with the primal urges that got them there.<\/p>\n<p>SOY MADERA is a solo full of humour, objects and contemporary dance techniques, which capture the public&#8217;s attention to discover the inner strength of this character.<\/p>\n<p>&nbsp;<\/p>\n<p>26 \u00b7 27 \u00b7 28 MAY 9pm<\/p>\n<p>EXTERIOR OF THE LOIOS CONVENT MUSEUM<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>RUMO AO FUTURO<\/strong><\/p>\n<p>CIA PERSONA [PT]\n<p>MULTIDISCIPLINARY PERFORMANCE<\/p>\n<p>6 AND OLDER | 35&#8242; | WORLD PREMIERE | SHOW WITH STROBE LIGHT DEVICE<\/p>\n<p>&nbsp;<\/p>\n<p>A journey towards the future, spatially developed around aging and memory loss, also placing the public at the centre of this circular path.<\/p>\n<p>With the help of two walkers and many post-its, an elderly couple, between meetings and disagreements, transports us on a journey that takes us to the depths of their memory.<\/p>\n<p>&nbsp;<\/p>\n<p>26 \u00b7 27 \u00b7 28 MAY 10pm<\/p>\n<p>CLOISTER OF THE LOIOS CONVENT MUSEUM<\/p>\n[ THIS SHOW REQUIRES PRE-REGISTRATION ]\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>2037<\/strong><\/p>\n<p>S\u00c9RGIO CORREIA [PT]\n<p>MULTIDISCIPLINARY PERFORMANCE<\/p>\n<p>6 OR OLDER | 30&#8242; | WORLD PREMIERE | PERFORMANCE WITH PORTUGUESE SIGN LANGUAGE<\/p>\n<p>&nbsp;<\/p>\n<p>The real miracle!<\/p>\n<p>The secret to eternal happiness!<\/p>\n<p>Today the key to achieving your long-awaited happiness will be revealed!<\/p>\n<p>Who has the courage to make the leap to the new evolutionary state?<\/p>\n<p>&nbsp;<\/p>\n<p>26 MAY 9:30pm<\/p>\n<p>27 \u00b7 28 MAY 10pm<\/p>\n<p>ROSSIO<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>VENHAM ENFIM AS ALTAS ALEGRIAS<\/strong><\/p>\n<p>F\u00c1BIO ARA\u00daJO [PT]\n<p>MULTIDISCIPLINARY PERFORMANCE | INSTALLATION<\/p>\n<p>6 OR OLDER | 50&#8242; | WORLD PREMIERE<\/p>\n<p>&nbsp;<\/p>\n<p>The project arises from the literary body of Jos\u00e9 Saramago \u2013 his fantastic motifs and scenarios \u2013, bringing to memory his novels, poems and short stories.<\/p>\n<p>The works of the Nobel Prize in Literature are a stimulus to instigate the creative process, inspiring a series of performative actions that distance themselves from their point of origin. They give way to something else. A space where the fantasy of participants and spectators can be enhanced to give way to the imaginary. A fragmented body of ideas and quotes, of clues and rumours.<\/p>\n<p>This project results from the artistic residency \u201cPref\u00e1cios\u201d, promoted by the Municipal Library during the months of April and May, involving ten young people from the municipality.<\/p>\n<p>&nbsp;<\/p>\n<p>26 \u00b7 27 \u00b7 28 MAY 10:30pm<\/p>\n<p>SANTA MARIA DA FEIRA MUNICIPAL LIBRARY<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>ORQUESTRA CRIATIVA ENCONTRA SYNCHRONOTOPY<\/strong><\/p>\n<p>ORQUESTRA CRIATIVA [ PT ] | DANIELLE VILLA [IT]\n<p>CONCERT WITH VIDEOART<\/p>\n<p>6 OR OLDER | 40&#8242; | WORLD PREMIERE<\/p>\n<p>&nbsp;<\/p>\n<p>In an unprecedented format, a large Portuguese community orchestra shares the stage with an Italian artist, Danielle Villa Zorn, for the premiere of the creation \u201cVida\u201d, a theme chosen by the participants of Orquestra Criativa, aged from 8 to 100.<\/p>\n<p>The songs \u2013 original and performed live \u2013 are simultaneously the soundtrack and the score of Synchronotopy, a narration through a series of analogue collages, made live and projected on a large wall of a public building of reference \u2013 the Municipal Library of Santa Maria da Feira. A joyful encounter between music and images, aimed at all audiences.<\/p>\n<p>&nbsp;<\/p>\n<p>26 \u00b7 27 \u00b7 28 MAY 9:45pm<\/p>\n<p>SANTA MARIA DA FEIRA MUNICIPAL LIBRARY[\/vc_column_text][vc_column_text css=&#8221;.vc_custom_1652608221670{margin-top: 80px !important;margin-bottom: 120px !important;}&#8221; el_id=&#8221;mais&#8221;]<strong>MORE IMAGINARIUS<\/strong><\/p>\n<p>The international competition reopens the streets of Santa Maria da Feira to emerging artists from around the world. In this edition, Mais IMAGINARIUS presents 15 projects, from 13 nationalities, that cross different artistic disciplines, namely theatre, dance, music, circus, performance, installation and multidisciplinary.<\/p>\n<p>A diverse programme that incorporates juggling, acrobatics, cyr wheel, object manipulation and clown.<\/p>\n<p>The projects in competition will be evaluated by an independent international jury and by the public, through voting. The winning performance will be awarded with an artist residency in Santa Maria da Feira to create a show that will debut at the festival in 2023.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>BURNING RASPBERRIES<\/strong><\/p>\n<p><strong>3:12 AM<\/strong><\/p>\n<p><strong>CLOTHES AND US<\/strong><\/p>\n<p><strong>FOLEY<\/strong><\/p>\n<p><strong>MUSIC WITH MACHINES AND OBJECTS<\/strong><\/p>\n<p><strong>ET SI \u00c7A TOMBE?<\/strong><\/p>\n<p><strong>\u00c9TUDE FOR PREPARED PIANO AND ROPE<\/strong><\/p>\n<p><strong>GIBBERISH NOT GIBBERISH<\/strong><\/p>\n<p><strong>HIGH TEA (WITH A TWIST)<\/strong><\/p>\n<p><strong>IT SOCKS!<\/strong><\/p>\n<p><strong>RE\/ACT!<\/strong><\/p>\n<p><strong>RIZOMA<\/strong><\/p>\n<p><strong>ROCOC\u00d3<\/strong><\/p>\n<p><strong>SURFING THE STREET<\/strong><\/p>\n<p><strong>WE ALL LIVE IN A BOX<\/strong><\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p><strong>BURNING RASPBERRIES<\/strong><\/p>\n<p>IWAN DAM [ NL ]\n<p>MULTIDISCIPLINARY PERFORMANCE<\/p>\n<p>3 AND OLDER| 30&#8242;<\/p>\n<p>Burning Raspberries is a poetic performance with smoke, fire, smells and taste. A peculiar multidisciplinary street theatre performance that combines entertainment and cuisine. Unusual kitchen materials such as iron and a tennis racket create fantastic images and atmospheres. Everything is made for the dish &#8211; a smoked spinach salad with a salty muffin &#8211; which the public can enjoy afterwards. Intriguing, funny and inventive, Iwan Dam brings an original street theatre adaptation to Santa Maria da Feira. Like a true alchemist, he connects flavours and dramas to capture the audience and transport them on a special journey. An interactive show for all ages.<\/p>\n<p>&nbsp;<\/p>\n<p>27 \u00b7 28 MAY 3pm<\/p>\n<p>MUNICIPAL MARKET<\/p>\n<p>&nbsp;<\/p>\n<p>27 \u00b7 28 MAY 8pm<\/p>\n<ol>\n<li>ROBERTO ALVES STREET<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<p><strong>3:12 AM<\/strong><\/p>\n<p>JOS\u00c9 CERECEDA [PT]\n<p>CIRCUS<\/p>\n<p>3 OR OLDER \u00a0| 25&#8242;<\/p>\n<p>3:12 am is a contemporary circus show, which uses elements from aerial acrobatics and dexterity as a form of expression, recreating images that relate to the sensation of insomnia, to what keeps us awake at night.<\/p>\n<p>Is there anything keeping you up at night?<\/p>\n<p>A love sickness?<\/p>\n<p>Or lack of money?<\/p>\n<p>Or the danger you feel on the streets?<\/p>\n<p>Or world hunger?<\/p>\n<p>Or the cold? Or the heat? The heat, the heat, the heat&#8230;<\/p>\n<p>Or taxes?<\/p>\n<p>Or lack of water?<\/p>\n<p>Or quitting smoking?<\/p>\n<p>27 \u00b7 28 MAY 11pm<\/p>\n<p>ROSSIO<\/p>\n<p>&nbsp;<\/p>\n<p><strong>CLOTHES AND US<\/strong><\/p>\n<p>KANTA COMPANY [LT]\n<p>CIRCUS<\/p>\n<p>3 OR OLDER | 50&#8242;<\/p>\n<p>Clothes. We wear them every day, in all sizes and colours. Countless hours are spent shopping, washing and folding them. Human hoodies, draped silk ghosts, monsters and moving piles of clothes \u2013 how do clothes change us? What are they hiding? As clothes dominate our world, we delve into the memories and stories they hold and the important role they play in our lives, and come to appreciate them with great affection.<\/p>\n<p>Welcome to the world of Clothes and Us. Three humans and a cast of donated clothing from around the world transform and transcend themselves during an everyday journey from a dry cleaner&#8217;s to a world of fantasy with shirt puppets, ghosts and flying ghosts.<\/p>\n<p>Created with children and families in mind, this show aims to transform each closet into a place filled not only with clothes, but also with memories, stories and friends.<\/p>\n<p>A performance that explores various circus techniques: manipulation of objects, aerial silks, acrobatics, Chinese pole and much more.<\/p>\n<p>27 \u00b7 28 MAY 8pm<\/p>\n<p>ROSSIO<\/p>\n<p>&nbsp;<\/p>\n<p><strong>FOLEY<\/strong><\/p>\n<p>CONTAKT COMPANY [ DE\/UK\/FR\/AT ]\n<p>CIRCUS<\/p>\n<p>3 OR OLDER | 60&#8242;<\/p>\n<p>Vision, touch and rhythm.<\/p>\n<p>Foley is a contemporary circus performance, accompanied by live music, where the instruments mix with the movement and the interaction of all the performers.<\/p>\n<p>A fusion of various acrobatic techniques made in partnership, creating physical images that flow into the dynamics of the emotional world.<\/p>\n<p>27 MAY 3pm | 6pm<\/p>\n<p>28 MAY 2:30pm | 7pm<\/p>\n<p>MILL HOUSE<\/p>\n<p>&nbsp;<\/p>\n<p><strong>MUSIC WITH MACHINES AND OBJECTS<\/strong><\/p>\n<p>GLUU [DE]\n<p>MUSIC<\/p>\n<p>3 OR OLDER | 30&#8242;<\/p>\n<p>A mix of various styles of electronic music. Using live looping, a technique that allows this musical fusion, and with everyday objects, which are not normally seen as instruments, songs are created that are full of colour and sounds never heard before.<\/p>\n<p>27 MAY 7:30pm<\/p>\n<p>28 MAY 4pm | 7:30pm | 1am<\/p>\n<p>PARISH CHURCH<\/p>\n<p>&nbsp;<\/p>\n<p><strong>ET SI \u00c7A TOMBE?<\/strong><\/p>\n<p>COLLECTIF ACROCINUS [CH\/CL\/AR]\n<p>CIRCUS<\/p>\n<p>3 OR OLDER | 45&#8242;<\/p>\n<p>Three people get together in a small imaginary space, perhaps in their own house or even in a shared room.<\/p>\n<p>Inside this space there are several objects: a table, two chairs and many juggling balls.<\/p>\n<p>The characters&#8217; relationship and contact with the objects serve to escape daily routines, leading to a confrontation with the doubts and fears that cohabit within them.<\/p>\n<p>Thus, a channel of sensorial communication is created between the three performers, who seek a language sustained by movement.<\/p>\n<p>A show with a minimalist atmosphere, where listening is essential for a harmonious coexistence.<\/p>\n<p>27 MAY 6pm | 9pm<\/p>\n<p>28 MAY 6pm | 9pm<\/p>\n<p>GASPAR MOREIRA SQUARE<\/p>\n<p>&nbsp;<\/p>\n<p><strong>\u00c9TUDE FOR PREPARED PIANO AND ROPE<\/strong><\/p>\n<p>DANIJELA ZAJC, MISMO NISMO [ SI ]\n<p>CIRCUS<\/p>\n<p>3 OR OLDER | 40&#8242;<\/p>\n<p>\u00c9tude for prepared piano and rope is a concert whose listeners can hear sounds never thought of before, let alone heard, from a piano. Disassembled on the floor with the strings raised, an ordinary piano will transport us on a journey of musical experimentation.<\/p>\n<p>With a universe of possibilities, and through classical and experimental manipulation, the performer executes the concert playing, mainly, from an aerial string.<\/p>\n<p>Everything in the world is connected, co-existing and co-affecting everything around it. The author artist explores the interaction with the piano using classical acrobatics on an aerial string, where each movement is transformed into oscillations that, in turn, become sound waves of different frequencies and amplitudes. Thus, the sounds, transposed back to the movements and vice versa, pass from the performer to the audience, creating interactions susceptible to unpredictable situations.<\/p>\n<p>In designing this project, the author asks the following questions:<\/p>\n<p>How do our bodies and our emotions respond to the environment and social reality?<\/p>\n<p>To what extent is this reality reproduced and to what extent can we change it?<\/p>\n<p>Are we constantly in the process of finding a balance?<\/p>\n<p>From a micro level to a macro level: reacting to the sound of a rope to react to capitalist devastation.<\/p>\n<p>The idea for this work comes from the author&#8217;s involvement in Cirkusarna Naokrog, an autonomous space in Rog Factory (Ljubljana), Slovenia, which was evicted and demolished in 2021. It was here, at the Rogs Autonomous Factory, that the author found and prepared the old piano, a lasting mark in his personal and artistic journey.<\/p>\n<p>This project is a tribute to the Factory!<\/p>\n<p>27 \u00b7 28 MAY 4:30pm | 9:30pm<\/p>\n<p>ORFE\u00c3O DA FEIRA<\/p>\n<p>&nbsp;<\/p>\n<p><strong>GIBBERISH NOT GIBBERISH<\/strong><\/p>\n<p>STEVEN GUTIERREZ [USA]\n<p>INSTALLATION<\/p>\n<p>3 OR OLDER | CONTINUOUS<\/p>\n<p>How to express mood and thoughts through an abstract sculpture? Gibberish not gibberish is a reflection of the artist&#8217;s learning about the form and function that a public space has or can have together with abstract works and architectural elements. Sculpture or art always communicates something to the world, even if it sometimes seems meaningless to the viewer.<\/p>\n<p>27 \u00b7 28 MAY 2pm \u203a 1am<\/p>\n<p>MILL HOUSE<\/p>\n<p>&nbsp;<\/p>\n<p><strong>HIGH TEA (WITH A TWIST)<\/strong><\/p>\n<p>LEVANTES DANCE THEATRE [ UK\/EL ]\n<p>CIRCUS<\/p>\n<p>3 OR OLDER | 18&#8242;<\/p>\n<p>Under the direction of performer and designer Eleni Edipidi, Levantes Dance Theatre creates spirited, inclusive and visually strong contemporary circus performances. Dressed to impress, two female friends dance and stunt atop a tastefully presented tea table and mingle with the crowd for selfies and a cup of tea. During the show, there is no shortage of cakes and costumes full of glitter, in an explosion of bright colours and nonsense in the mix.<\/p>\n<p>27 MAY 3pm<\/p>\n<p>28 MAY 2pm<\/p>\n<p>ROSSIO<\/p>\n<p>27 MAY 7pm<\/p>\n<p>28 MAY 7pm<\/p>\n<p>29 MAY 10:30am<\/p>\n<p>GASPAR MOREIRA SQUARE<\/p>\n<p>&nbsp;<\/p>\n<p><strong>IT SOCKS!<\/strong><\/p>\n<p>COMPANY WURST \u2013 MIKAIL KARAHAN [ BE ]\n<p>CIRCUS<\/p>\n<p>3 OR OLDER | 7&#8242;<\/p>\n<p>The feeling that it is too late to react.<\/p>\n<p>The seconds that decide whether you can hold on or fall and crash.<\/p>\n<p>The feeling of imbalance that leads to physical limits.<\/p>\n<p>The need to react quickly enough not to lose control.<\/p>\n<p>iT SOCKS! is a circus show resorting to the cyr wheel and red socks, created and performed by Mikail Karahan.<\/p>\n<p>27 \u00b7 28 MAY 4:30pm | 8:30pm<\/p>\n<p>EXTERIOR OF THE LOIOS CONVENT MUSEUM<\/p>\n<p>&nbsp;<\/p>\n<p><strong>RE\/ACT!<\/strong><\/p>\n<p>EGO PORTRAIT [AT]\n<p>CONTEMPORARY CIRCUS<\/p>\n<p>6 OR OLDER | 20&#8242;<\/p>\n<p>RE\/ACT! addresses themes such as moral courage and responsibility in a performance context, allowing the audience and performers to experience these themes.<\/p>\n<p>With roots in contemporary circus, dance and performance art, artists &#8216;play&#8217;, take risks and have to trust.<\/p>\n<p>After all, who will take responsibility?<\/p>\n<p>&#8220;Theatre is a form of knowledge, which must and can, therefore, become a means of transforming society. Theatre can help us build our future, instead of just waiting for it.&#8221;<\/p>\n<p>Augusto Boal<\/p>\n<p>27 \u00b7 28 MAY 6pm | 11pm<\/p>\n<p>EXTERIOR OF THE LOIOS CONVENT MUSEUM<\/p>\n<p>&nbsp;<\/p>\n<p><strong>RHIZOME<\/strong><\/p>\n<p>RITA CARMO MARTINS [EN]\n<p>MULTIDISCIPLINARY PERFORMANCE<\/p>\n<p>3 OR OLDER| 30&#8242;<\/p>\n<p>A vase, a woman, a musician. Rizoma is a show about the philosophical theory &#8220;Rhizome&#8221;, by Deleuze and Guattari. An ongoing survey on sensitivity, strength, adversity and childhood. A breath of horizontal freedom over the hierarchical and vertical thinking of everyday life. A surrealistic adventure through the imagination. Visual poetry.<\/p>\n<p>A rhizome is a stem that grows horizontally and underground, which also may have aerial growth. It grows without a defined direction and is polymorphic. It can perform root, trunk or branch functions, depending on the location of that portion on the plant and its growing environment.<\/p>\n<p>When you think of a plant&#8230; What do you think of?<\/p>\n<p>When you think of a plant&#8230; Does it have roots? Does it have a stem? Does it have leaves?<\/p>\n<p>Can a plant grow almost without water? Almost without air? Almost without light?<\/p>\n<p>27 \u00b7 28 MAY 4pm | 7pm<\/p>\n<ol>\n<li>ROBERTO ALVES STREET<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<p><strong>ROCOC\u00d3<\/strong><\/p>\n<p>COMPA\u00d1IA RAMPANTE [ AR ]\n<p>CIRCUS<\/p>\n<p>3 OR OLDER | 45&#8242;<\/p>\n<p>In a banal space two characters, little by little, reveal different sides of them and share their daily lives, their intimacy and their vulnerability. Without losing their humour, this duo invites you to travel, through various circus or vaudeville techniques, to a universe where the multiplicity of personalities and the comings and goings in relationships are common. In a symbiosis of humour, circus, manipulation of objects and other techniques, successive incidents arise that never cease to surprise. A tribute to all of the sides of circus performers and their desire for the show to continue. Ever!<\/p>\n<p>27 MAY 4pm<\/p>\n<p>28 MAY 2:30pm | 4:30pm<\/p>\n<p>29 MAY 11am<\/p>\n<p>ROSSIO<\/p>\n<p>&nbsp;<\/p>\n<p>27 MAY 7:15pm<\/p>\n<p>MILL HOUSE<\/p>\n<p>&nbsp;<\/p>\n<p><strong>SURFING THE STREET<\/strong><\/p>\n<p>ELTIOTEO [FR]\n<p>MULTIDISCIPLINARY PERFORMANCE<\/p>\n<p>M\/3 | 45&#8242;<\/p>\n<p>&nbsp;<\/p>\n<p>The story of a surfer who dreams of surfing an audience wave.<\/p>\n<p>Pantomime, caustic humour, magic and balance.<\/p>\n<p>Provocative as a clown, but with a tender heart, this crazy real-false surfer is waiting for the \u201cTHE\u201d wave and getting ready for an absolutely unforgettable moment.<\/p>\n<p>Manipulating diabolos, chairs, tables and clothes, TioTeo leads the show at a frenetic pace and challenges adults and children to participate in the performance.<\/p>\n<p>&nbsp;<\/p>\n<p>27 MAY 3pm<\/p>\n<p>28 MAY 2pm<\/p>\n<p>29 MAY 12:15<\/p>\n<p>GASPAR MOREIRA SQUARE<\/p>\n<p>&nbsp;<\/p>\n<p>27 MAY 18:15<\/p>\n<p>ROSSIO<\/p>\n<p>&nbsp;<\/p>\n<p>28 MAY 8:15pm<\/p>\n<p>MILL HOUSE<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>WE ALL LIVE IN A BOX<\/strong><\/p>\n<p>AMBAE COMPANY [ ES ]\n<p>MULTIDISCIPLINARY PERFORMANCE<\/p>\n<p>M\/3 | 20&#8242;<\/p>\n<p>Three individuals intertwine their life&#8217;s journey through dance, live music and their boxes. The We all live in a box performance focuses on the way they all defines themselves and the lives they live, creating invisible walls with their ideals and beliefs.<\/p>\n<p>What do the boxes in our life consist of?<\/p>\n<p>How does the box we identify with affect other people and society, and how do they affect us?<\/p>\n<p>How do we deal with the boxes that shape us, challenge us, limit us, hold us back?<\/p>\n<p>How do we find ourselves and how do we find others in the midst of all these boxes?<\/p>\n<p>27 \u00b7 28 MAY 3pm | 8:40pm<\/p>\n<p>PARISH CHURCH[\/vc_column_text][vc_column_text css=&#8221;.vc_custom_1652608314571{margin-top: 80px !important;margin-bottom: 120px !important;}&#8221; el_id=&#8221;mediacao&#8221;]<strong>MEDIATIONS<\/strong><\/p>\n<p>In this edition of IMAGINARIUS, the dynamics of mediation focus on the involvement of the community in the processes of creation and participation.<\/p>\n<p>The festival developed a number of actions to increase cultural participation, bringing the school community and other communities to the festival, reinforcing its purpose of inclusion and accessibility to cultural and artistic practices, and promoting creative dialogue between cultural and artistic agents and the community itself.<\/p>\n<p>The interaction between artists and communities resulted in various mediation actions, such as workshops, talks and open rehearsals, or even moments of research and artistic creation that gave rise to projects to be presented at IMAGINARIUS.<\/p>\n<p>&nbsp;<\/p>\n<p>COMMUNITY INVOLVEMENT<\/p>\n<p><strong>RESEARCH \u2013 RUMO AO FUTURO<\/strong><\/p>\n<p><strong>RESEARCH AND PARTICIPATION &#8211; 2037<\/strong><\/p>\n<p><strong>PARTICIPATION \u2013 MUSICAL ANIMATORS, ORQUESTRA CRIATIVA ENCONTRA SYNCRONOTHOPY<\/strong><\/p>\n<p><strong>PARTICIPATION \u2013 VENHAM ENFIM AS ALTAS ALEGRIAS<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>OTHER ACTIONS<\/p>\n<p><strong>OPEN REHEARSAL \u2013 RUMO AO FUTURO <\/strong><\/p>\n<p><strong>MOVEMENT WORKSHOP \u2013 A TEORIA DO SEM-PARAR \u2013 SOY MADERA<\/strong><\/p>\n<p><strong>OPEN REHEARSAL &#8211; SOY MADERA<\/strong><\/p>\n<p><strong>OPEN REHEARSAL AND TALK &#8211; 2037<\/strong><\/p>\n<p><strong>OPEN REHEARSAL AND TALK \u2013 EU F\u00caMEA<\/strong><\/p>\n<p><strong>PHOTOGRAPHY WORKSHOP<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>COMMUNITY INVOLVEMENT<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><strong>RESEARCH<\/strong><\/p>\n<p><strong>RUMO AO FUTURO<\/strong><\/p>\n<p>COMPANHIA PERSONA [PT]\n<p>&nbsp;<\/p>\n<p>The creative process of the show Rumo ao Futuro includes relevant contributions from the community. At the beginning of the artistic residency, Companhia Persona, in collaboration with the S\u00e3o Nicolau Home, carried out interviews and informal sharing moments with the elderly, whose material contributed to the elaboration of the script.<\/p>\n<p>At the same time, the company developed a moment of research and training with the school community, involving the 12th F class of the Santa Maria da Feira Schools Grouping. Two work sessions based on intergenerational dialogue to share the creative process of the show and demonstrate how images can be converted into dramatic text, depending on the context of their use.<\/p>\n<p>&nbsp;<\/p>\n<p>RESEARCH<\/p>\n<p>02 MARCH<\/p>\n<p>S\u00c3O NICOLAU HOME \u2013 SANTA MARIA DA FEIRA<\/p>\n<p>&nbsp;<\/p>\n<p>RESEARCH AND TRAINING<\/p>\n<p>07 \u00b7 21 MARCH 2:30pm<\/p>\n<p>SANTA MARIA DA FEIRA SCHOOLS GROUPING<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>RESEARCH AND PARTICIPATION<\/strong><\/p>\n<p><strong>2037<\/strong><\/p>\n<p>S\u00c9RGIO CORREIA [PT]\n<p>&nbsp;<\/p>\n<p>Students of the Socio-Cultural Entertainment Course of the Coelho e Castro de Fi\u00e3es Schools Grouping (3AS) will enjoy the experience of participating in S\u00e9rgio Correia&#8217;s show 2037, the result of the mediation action started in March.<\/p>\n<p>In an initial phase, the students took part in a research and training session involving a theatrical workshop and a conversation to raise awareness and approach the questions inherent to the project, where it was possible to deepen the creation process and collect contributions.<\/p>\n<p>S\u00e9rgio Correia worked with the students on basic theatrical methods, such as physical and vocal warm-up, use of words, text and intentions, memory, exploration of emotions and movement, creativity and improvisation, providing the participants with a brief approach to the work and training of actors and providing them of basic capabilities for the creation of an artistic object.<\/p>\n<p>This training experience will be followed by field trials, in order to prepare students for participation in the show.<\/p>\n<p>&nbsp;<\/p>\n<p>RESEARCH AND TRAINING<\/p>\n<p>24 MARCH<\/p>\n<p>COELHO AND CASTRO SCHOOLS GROUPING<\/p>\n<p>&nbsp;<\/p>\n<p>PARTICIPATION: TRAINING AND TESTS<\/p>\n<p>09 \u00b7 23 \u00b7 25 MAY<\/p>\n<p>IMAGINARIUS CREATION CENTRE<\/p>\n<p>MUSEUM OF SANTA MARIA DE LAMAS<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>PARTICIPATION<\/strong><\/p>\n<p><strong>MUSICAL ANIMATORS, CREATIVE ORCHESTRA MEETS SYNCRONOTHOPY<\/strong><\/p>\n<p>CREATIVE ORCHESTRA [ PT ] | DANIELLE VILLA [IT]\n<p>&nbsp;<\/p>\n<p>In an environment of experimentation and creation that is the trademark of Imaginarius, professional and amateur musicians who responded to the festival\u2019s challenge develop the musical project for the show \u201cOrquestra Criativa Meets Synchronotopy\u201d over six training sessions, guided by conductor Aleksandar Caric Zar.<\/p>\n<p>&nbsp;<\/p>\n<p>26 \u00b7 27 MARCH<\/p>\n<p>23 \u00b7 24 APRIL<\/p>\n<p>15 \u00b7 22 MAY<\/p>\n<p>HEADQUARTERS OF THE CREATIVE ORCHESTRA \u2013 CARVALHOSA BASIC SCHOOL &#8211; ARRIFANA<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>PARTICIPATION<\/strong><\/p>\n<p><strong>VENHAM ENFIM AS ALTAS ALEGRIAS<\/strong><\/p>\n<p>F\u00c1BIO ARA\u00daJO [EN]\n<p>&nbsp;<\/p>\n<p>The celebrations of the centenary of the birth of the writer Jos\u00e9 Saramago motivated the challenge launched by the Municipal Library to the plastic artist F\u00e1bio Ara\u00fajo to create an artistic mediation project with young people \u2013 Venham enfim as altas alegrias \u2013 which culminates in a presentation in the gardens of the Municipal Library, as part of the Imaginarius festival.<\/p>\n<p>The central idea of \u200b\u200bthis installation is to create a route made of pallets, whose function is to transport visitors through the different stations that quote, directly or indirectly, the work(s) or the literary body of Saramago.<\/p>\n<p>At each point, the public is invited to unveil the present work, in an incessant search for the title, but also with the intention of discovering something new, the content that artistic reading contains in each of these moments and the writing of the Nobel Prize in Literature. A game between a book object and a performance, on a journey of discovery.<\/p>\n<p>&nbsp;<\/p>\n<p>09 APRIL \u203a 20 MAY<\/p>\n<p>SANTA MARIA DA FEIRA MUNICIPAL LIBRARY<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>OTHER ACTIONS<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><strong>OPEN REHEARSAL<\/strong><\/p>\n<p><strong>RUMO AO FUTURO<\/strong><\/p>\n<p>COMPANHIA PERSONA [EN]\n<p>35&#8242; | 12 PARTICIPANTS MAX<\/p>\n<p>&nbsp;<\/p>\n<p>As part of the creative process of the show \u201cRumo ao Futuro\u201d, the open rehearsal aimed at the residents of the S. Nicolau Home, in Santa Maria da Feira, became one of the moments that brought genuine gratification to Companhia Persona, for the institution&#8217;s involvement in the research that made it possible the creation of the show&#8217;s script.<\/p>\n<p>&nbsp;<\/p>\n<p>18 MARCH 2:30pm<\/p>\n<p>CLOISTER OF THE LOIOS CONVENT MUSEUM<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>MOVEMENT WORKSHOP<\/strong><\/p>\n<p><strong>A TEORIA DO SEM PARAR \u2013 SOY MADERA<\/strong><\/p>\n<p>ELELEI COMPANY [ IT\/ES ]\n<p>18 OR OLDER | 90&#8242; | 10 PARTICIPANTS MAX<\/p>\n<p>&nbsp;<\/p>\n<p>Focused on the dramaturgy of movement to compose and understand the body when dancing, the workshop, A teoria do sem parar insists on the repetition of an action as a starting point. Along with instant creation tools, where theatrical dramaturgy enters the realm of the material, we explore how and why to tell stories, be they abstract, philosophical, contemplative or narrative &#8211; ways of creating applied in the concept of Elelei&#8217;s new production Company, SOY MADERA, which debuts at Imaginarius&#8217;22.<\/p>\n<p>&nbsp;<\/p>\n<p>16 APRIL 2pm<\/p>\n<p>IMAGINARIUS CREATION CENTRE<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>OPEN REHEARSAL<\/strong><\/p>\n<p><strong>SOY MADERA<\/strong><\/p>\n<p>ELELEI COMPANY [ IT\/ES ]\n<p>6 OR OLDER | 35&#8242; | 12 PARTICIPANTS MAX<\/p>\n<p>&nbsp;<\/p>\n<p>In a rehearsal open to the community, in the final period of the creation of SOY MADERA and the artistic residency at the Imaginarius Creation Centre, Elelei Company unveils the format of this new project, scheduled to debut at Imaginarius&#8217;22.<\/p>\n<p>&nbsp;<\/p>\n<p>22 APRIL 5:30pm<\/p>\n<p>IMAGINARIUS CREATION CENTRE<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>OPEN REHEARSAL AND TALK<\/strong><\/p>\n<p><strong>2037<\/strong><\/p>\n<p>S\u00c9RGIO CORREIA [PT]\n<p>6 OR OLDER | 40&#8242; | 12 PARTICIPANTS MAX<\/p>\n<p>&nbsp;<\/p>\n<p>In search of experimentation and public feedback, S\u00e9rgio Correia makes the first open rehearsal of his new creation in the finalization phase of the project \u2013 which was among those selected under the Call Support for Local Creation 2022 \u2013 after the artistic residency at the Imaginarius Creation Centre.<\/p>\n<p>&nbsp;<\/p>\n<p>06 MAY 5:30pm<\/p>\n<p>IMAGINARIUS CREATION CENTRE<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>OPEN REHEARSAL AND TALK<\/strong><\/p>\n<p><strong>EU F\u00caMEA<\/strong><\/p>\n<p>TEATRO DO MAR [PT]\n<p>16 OR OLDER | 25&#8242; | 20 PARTICIPANTS MAX | REGISTRATION: INFO@IMAGINARIUS.PT<\/p>\n<p>&nbsp;<\/p>\n<p>In artistic residency at Imaginarius Centro de Cria\u00e7\u00e3o on the eve of the festival, Teatro do Mar promotes an open rehearsal of their latest creation Eu F\u00eamea. A forceful project, which aims to involve the public in a reflection on the current role of women, making it transmute between history and the present time, in the relationship between divine power and the role of mother, in the discussion of submission to the emancipatory path of freedom.<\/p>\n<p>&nbsp;<\/p>\n<p>22 MAY 11am<\/p>\n<p>IMAGINARIUS CREATION CENTRE<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>PHOTOGRAPHY WORKSHOP<\/strong><\/p>\n<p><strong>BACKSTAGE PHOTOGRAPHY<\/strong><\/p>\n<p>NELSON D&#8217;AIRES [PT]\n<p>15 OR OLDER | 240&#8242;<\/p>\n<p>&nbsp;<\/p>\n<p>An approach to the intersection and dialogue between the performing arts and photography, through the lens of an independent photographer from Vila do Conde, Nelson d&#8217;Aires, who since 2006 has dedicated his work to exploring the disciplinary field of \u200b\u200bdocumentary photography, developing projects that address identity and territory .<\/p>\n<p>A member of the Kameraphoto collective between 2006 and 2014, he collaborated between 2009 and 2012 as a photojournalist in Portuguese and international publications, with several award-winning works, especially the Esta\u00e7\u00e3o Imagem International Photojournalism Award in 2011. \u201cWarp\u201d is his last individual book from the project \u201cViagens na minha terra\u201d.<\/p>\n<p>He developed several collaborations in theatre and the performing arts, namely with the company Amarelo Silvestre, Ballet Contempor\u00e2neo do Norte, Academia Artes e Espet\u00e1culo, C\u00e3o Danado and Coletivo Sabotagem. He is also represented in the BESart and Funda\u00e7\u00e3o EDP photography collections, among others.<\/p>\n<p>&nbsp;<\/p>\n<p>28 MAY 2pm<\/p>\n<p>ANT\u00d3NIO LAMOSO CINE-THEATRE [ MEETING POINT ]\n[\/vc_column_text][\/vc_column][vc_column fixed=&#8221;thb-fixed&#8221; width=&#8221;1\/2&#8243; css=&#8221;.vc_custom_1556530182058{border-top-width: 2px !important;border-right-width: 2px !important;border-bottom-width: 2px !important;border-left-width: 2px !important;padding-top: 30px !important;padding-right: 30px !important;padding-bottom: 30px !important;padding-left: 30px !important;border-left-color: #e0e0e0 !important;border-left-style: solid !important;border-right-color: #e0e0e0 !important;border-right-style: solid !important;border-top-color: #e0e0e0 !important;border-top-style: solid !important;border-bottom-color: #e0e0e0 !important;border-bottom-style: solid !important;border-radius: 2px !important;}&#8221;][vc_column_text]\n<h3>On this page<\/h3>\n<p>Click below to view content:<\/p>\n<ol>\n<li><a href=\"#enquadramento\">Framework<\/a><\/li>\n<li><a href=\"#programa\">The Program in a Nutshell<\/a><\/li>\n<li><a href=\"#festival\">The Festival in numbers&#8230;<\/a><\/li>\n<li><a href=\"#pre-festival\">Pre-festival<\/a><\/li>\n<li><a href=\"#programacao\">Main Programme<\/a><\/li>\n<li><a href=\"#infantil\">Imaginarius Infantil<\/a><\/li>\n<li><a href=\"#criacoes\">Imaginarius Creations<\/a><\/li>\n<li><a href=\"#mais\">More Imaginarius<\/a><\/li>\n<li><a href=\"#mediacao\">Mediations<\/a><\/li>\n<\/ol>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row disable_element=&#8221;yes&#8221;][vc_column width=&#8221;1\/2&#8243;][\/vc_column][vc_column fixed=&#8221;thb-fixed&#8221; width=&#8221;1\/2&#8243;][\/vc_column][\/vc_row]\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;.vc_custom_1652607701243{margin-bottom: 80px !important;}&#8221; el_id=&#8221;enquadramento&#8221;]In 2011, when Santa Maria da Feira had the audacity to launch IMAGINARIUS \u2013 International Street Theatre Festival, few would have imagined how it would influence theatre and street arts in Portugal. At the time, it was even questioned what reasons would lead a medium-sized municipality, located in the north&hellip;<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-default.php","meta":{"footnotes":""},"class_list":["post-10802","page","type-page","status-publish","hentry"],"rankMath":{"parentDomain":"www.imaginarius.pt","noFollowDomains":[],"noFollowExcludeDomains":[],"noFollowExternalLinks":false,"featuredImageNotice":"The featured image should be at least 200 by 200 pixels to be picked up by Facebook and other social media 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